Hiếu's creative practice originates from Biên Hòa ceramics a centuries-old heritage and cultural symbol of Southern Vietnam. In his hands, ceramics are not only memories, but a living current that nourishes contemporary creativity. Each work is at once an homage to form and material – the tangible beauty of fired clay - and a quiet meditation on the intangible: memory, spirit, and the flow of time. Ceramics become a dwelling place for both matter and thought. Within his works, Catholic symbols emerge through traditional Vietnamese ceramics infused with an Eastern sensibility. Hiếu dismantles the notion that Christian aesthetics belong solely to the West, bringing faith back into a space that feels close and familiar within Annam's cultural context. His creations are like prayers shaped by earth, water, and fire – opening a contemporary dialogue where faith, memory, and culture intertwine and flourish within today's rhythm of life.